No wonder that the project has again attracted such outstanding actors for these mesmerisingly painful vignettes of Middle England. Apart from Martin Freeman and Lucian Msamati, the roles are female; and women (who know best) say that AB has a gift for writing about their world. Their monologues are played by Imelda Staunton, Harriet Walter, Lesley Manville, Kristin Scott Thomas, Maxine Peake, Rochenda Sandall, Tamsin Greig, and Jodie Comer, with new items from Sarah Lancashire (An ordinary woman) and Monica Dolan (The shrine).
Following her wonderful scene in Fleabag, Kristin Scott Thomas appears in The hand of god. With by far the youngest role, Jodie Comer (hot on the heels of Killing Eve) delivers Her big chance (originally played by Julie Walters), and she too is brilliant as ever.
Amidst the mass adulation, Rachel Cooke takes a contrary, virtually heretical view, suggesting that for Bennett it is forever 1978 (or perhaps 1958), the characters set in aspic—even the world of the two new scripts “as if vicars loitered on every corner”. Even more grumpy is James Delingpole in the Spectator.