The art of conducting: a roundup

Here’s a little roundup of some of the main posts under the conducting tag so far (see also Conducting from memory).

Bernstein features in several posts, notably under Mahler:

  • Mahler 1 (also Tennstedt, Abbado, Mikropoulos, Barbirolli, Walter)
  • Mahler 2 (also Abbado, Tennstedt, Rattle, Dudamel, Walter)
  • Mahler 3, and 9, in Mahler: quintuplets, and gender
  • Mahler 4 (also Mengelberg, Walter, Barbirolli, Tilson Thomas, Abbado)
  • Mahler 5 (also Tennstedt, Abbado)
  • Mahler 6 (also Barbirolli, Abbado)

and while we’re with Abbado, do admire his rapport in accompanying

The great Rozhdestvensky:

This post features Mravinsky as well as Rozhdestvensky and Bernstein:

The contrasting fortunes of Fürtwangler and Schwarz under Nazism:

Pierre Monteux features under

Most magical is

See also

and

S-S-Simon Rattle (for this rendition of the name, constantly on the t-t-tip of my tongue, see here):

Barbara Hannigan:

Among many others featured under the conducting tag are Boulez, Gardiner, and Salonen (and this story about the latter is one of many drôle items).

But “No [survey of the art of conducting] is Complete Without” this exhilarating clip of a Mexican school band—this conductor, Oxana Thaili, could go far… (for more, click here):

9 thoughts on “The art of conducting: a roundup

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  7. Reblogged this on Stephen Jones: a blog and commented:

    Reblog (summary only: scroll down to click on “view original post”!):

    The art of conducting: besides Furtwängler, Kleiber, Bernstein, Rozhdestvensky, Rattle, *Oxana Thaili*, and so on, I’ve added links to two exquisite performances with Abbado accompanying Kožená in Mahler and Grimaud in Rachmaninoff

    Like

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  9. Pingback: Philharmonia: a kitsch-off | Stephen Jones: a blog

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