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Through the 1990s, one of the most fruitful sites for our fieldwork project on the Hebei plain south of Beijing was the area around Xiongxian county, just south of Bazhou, and east of the regional capital Baoding. Recently this whole region has become the centre of a vast and radical new development project to expand metropolitan Beijing; but when we used to visit, it was still very much rural.
As throughout the region covered in this growing series on Hebei, most villages here had ritual associations until the 1950s, and we found many still active in the 1990s. But here we found less vocal liturgy than further north and west on the plain, with no foshihui groups reciting precious scrolls.
Instead, ritual services were now mainly represented by the “holy pieces” of the shengguan wind ensemble to “revere the gods”—here an exceptionally rich repertoire based on long suites related to those of the temples of old Beijing. Not all these groups were still performing, but there is rich material here, not only on the ethnography of local ritual in modern times, but for scholars of the late imperial period.
This is the latest in a series on ritual in Hebei that includes Houshan and the precious scrolls, suburban Beijing, and Bazhou.
I’ve just updated my page on ritual groups in Bazhou with some more photos and subtle edits…
To remind you, this is part of a major series under local ritual where I’m moving from occupational household groups in north Shanxi to amateur (mostly village-wide) associations on the Hebei plain—so far including
The Houtu precious scroll
Ritual groups of suburban Beijing, and
all related to previous articles on temple ritual in old Beijing (including the Zhihua temple), and the village associations of Gaoluo and Qujiaying.
More coming up soon!
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(under Themes > Local ritual in main menu)
What a wonderful fieldsite we stumbled across in 1986, inspired by Yang Yinliu and Lin Zhongshu!
This is a new addition to a budding series on Daoist and Buddhist ritual groups on the Hebei plain south of Beijing. The elongated county of Bazhou lies just south of Langfang, Yongqing, and Gu’an. Rather as I did for the southern suburbs of Beijing, here I introduce two main ritual groups:
- the Daoist tradition of Zhangzhuang village comes from a former Orthodox Unity temple;
- the Gaoqiao village association nearby derives from a former Buddhist temple.
As we move south and east from Houshan, vocal liturgy tends to become subsidiary to the magnificent “holy pieces” of the classic shengguan wind ensemble deriving from the temples of old Beijing—notably the lengthy suites (daqu) whose most majestic form is to be found around Xiongxian county (major new page here!).
And as this series of articles on local ritual expands from north Shanxi to Hebei, it’s becoming something of an alternative, grass-roots, history of 20th-century north China through successive social and political vicissitudes.
My well-meaning initiative of setting up a separate sub-menu for Ritual paintings has promptly been thwarted by my desire to incorporate the whole ritual practice of which such images are part.
So I’ve retained the original introduction, but I’ll subsume paintings from elsewhere (mainly Hebei) in posts under “Local ritual” in Themes. I’ve moved Ritual images: Gaoluo to go with the other pages on Gaoluo under “Other publications” in the top menu.
You can still use the tag for “art”…
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In the 1990s, ritual activity in the southern rural areas of the municipality of Beijing was patchy. While we found few ritual associations in the counties of Gu’an, Fangshan, and Zhuozhou south of the city, the groups in the suburban counties of Daxing and Tongxian, southeast of Beijing, were still actively providing ritual services.
Like other associations on the Hebei plain, these groups have ongoing ritual traditions, and clear links to Daoist priests and Buddhist monks. But these groups are distinguished by their proximity to Beijing, and by the fact that many groups acquired their ritual only in the 1950s, as laicized clerics sought to transmit their knowledge to villagers. Thus although they are not “old associations”, lacking the early history of most village groups that we found just further south on the plain, they clearly reflect temple traditions of ritual, relating to Beijing and Tianjin as well as to local networks. Again by contrast with most of the amateur village associations elsewhere on the Hebei plain, many of these groups don costumes for rituals, and accept fees.
This whole region was still largely rural when we made fieldwork trips there in the 1990s, but has since been absorbed into the ever-expanding urban sprawl of suburban Beijing—as indeed are villages further south on the plain, where we found many more ritual associations. In a physical and moral landscape that has changed constantly since the 1930s, restudies are always to be desired.
There are many such groups here, but in the article I focus on two:
- The Lijiawu Daoist group, derived from the temple priests of Liangshanpo, and
- the Buddhist-transmitted group of North Xinzhuang nearby.
This article also complements my various posts on Beijing temples and the transmissions south to villages like Qujiaying.
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This first page under a new series on ritual images again concerns Gaoluo.
Apart from their ritual manuals and gongche solfeggio scores, all four ritual associations in North and South villages of Gaoluo have collections of images, including god paintings, diaogua hangings and donors’ lists, from various stages since the 19th century—displayed for calendrical rituals of the village community.
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For aficionados of visual culture:
The main focus of our fieldwork on the Hebei plain through the 1990s was the ritual performance of amateur village-wide associations there. But of course we also documented the material artefacts of these groups—including ritual manuals, gongche solfeggio scores for the shengguan wind ensemble, donors’ lists, and so on.
I now realize that by comparison with elite painting, temple murals, and so on, what we may call “folk art” is not so well represented—either in print publications or online. So this is a new sub-menu for ritual paintings of village groups, mainly from Hebei. I’ve already included some of them in various posts/pages, but now I’m adding many more (mostly from the period since the late 19th century, but also some painted since the 1980s).
Most of these images are displayed for calendrical rituals (notably the New Year) and/or for funerals—the Ten Kings images are used for both.
Of course, these material artefacts are a sub-theme; our main material consists of a rich archive of audio and video recordings of ritual performance. Contemplating such images in a museum is a last resort: they are the backdrop to the ritual soundscape of vocal liturgy and “holy pieces” of shengguan wind ensemble, and a representation of the changing spiritual life of local communities. As you digest these pages, you might even listen to the items of vocal liturgy and shengguan on the playlist in the sidebar, with commentary here).