Mozart opera anagrams 2: Così fan tutte
For a general introduction to the series, see here.
Even before Don Giovanni (here, with general introduction), this was Nick’s very first anagram foray to have a story attached, whose arcane fantasies already emerge fully-fledged—as with
tinto faucets, cute Asti font, scant Fitou…,
the taps and church vessels are running with red and white from the great houses, and lesser French appellations don’t get much of a look in…
* * *
COSÌ FAN TUTTE
Opera by Mozart; soloists, English Baroque Soloists and Monteverdi Choir, directed by John Eliot Gardiner, 1992—staged performances (stage direction by JEG) and Archiv recording.
The earliest case of an accompanying parallel text—an attempt at describing what I felt might be going on, while adhering literally to the anagram results—composed immediately after the anagrams (here a sequence of the same 12 letters, 100 times).
From Er, text Urtext, Parma 1994.
TUTTI FONSECA: tinto faucets, cute Asti font, scant Fitou; et Tunis café tot.
Incest at Eton.
“Tusa? If C.T. Fancutt’s toe”—I infuse tact to feint Tusa cot—“isn’t out, ‘facet tu’.”
“Fine! Scott, a tuft at cosine?”
“Tofu! Sine.” Tact. If stout, enact a fit Scot, tune fustian octet, cite not Faust, taunt soft ice (if Tesco taunt fat Tucson tie—satin, tofu, etc.) coast net.
“Fuit ut canto?”
“Tief. Sit, foetus can’t. Tin cat-foetus.”
“Nice oast, Futt”—Titus Fen-Cato, i/c font. “Astute. Situate font—cut Ascot! Feint toucan, if test cat oft unites (cat oft unties?) teat’s function: eat, suc’, fit to Nic’s tofu teat…”
“Est, tunc fiat, o Tuscan foe!”
“Tief?”—to Tuscan Tito (US fan, etc.)
“No ficta,” ’e tuts. Tut! Sit on face.
* * *
I oft tan scout, I, Cnut, feast to toast fun, cite Sufi, Tao. Tent? C’è scant outfit. I, fast-toe Cnut, cut station effect: saint out (Saint ‘tuft’ Coe—cat’s often ‘uit’). Cue soft taint. Et toi, cast fun? Et tu, sicofant?? Canute’s fit to taunt foe’s tic, stint Coe tufa factions. Têtu, FNAC, tote situ (Sufi tote can’t fuse antic tot—fuse Titan cot? Tunic not safe). Ate soft… Cnut, I… I taste of… Cnut… nice, soft, taut…
* * *
“SNCF—têtu, toi? Astute faction, SNCF: Tati et/ou fat Teuton (sic). Caution: test ‘f’—suf’ocate! Tint Sufi tent-coat, nice…”
Fast ‘tu’ to Count East, fit, cute stain, oft fist not acute.
“Aft, tits! Ounce” (o fuc) “sent a tit faint. Suet cot, soutane-fit.” Ct.—COUNT—T. Fiesta, ictus often at coitus… “Fatten e’static futon!”
“Sofa, Nutt. Cite Cato.”
“Fuit. Sent soft Utica net …”
Fun Cato test! “It’s…”
“… Tout fiancé!”
“TU? Ott’s fiancé, of ice stunt? At?”
“Tate. Stoic fun.”
ET TU, TOSCA?
– FIN –
It’s monopoly time in Italy and Portugal, the taps and church vessels are running with red and white from the great houses, and lesser French appellations don’t get much of a look in. On the other hand, an espresso and a chaser in North Africa follows naturally; there’s vegan food, and an atmosphere which reminds one partaker of goings-on at an English public school. He recalls the typical, bright-schoolboy talk in which he took part, with its characteristic blend of inside jargon, Latin and modern languages, higher maths and frank vulgarity:
“Tusa?”—pretending charm to lull the well-known spark to sleep—“if Fancutt doesn’t pull his finger out, will you do it for him?”
“Of course. Scott, will you do my maths prep for me? It’s cosines.”
“Put your head in a bowl of quark. I can do without.”
More charm is needed. I’m a bit overweight, but pretend to be a tough caber-tosser , give an ‘A’ to the pompous house band, who’re making a fist at Mendelssohn, am careful not to show off my Goethe, and make fun of melting polar ice-caps—it seemed an ok thing to do, the supermarket heir in my dorm used to mock the kitsch dress-clothes of Arizona oil moguls who come visiting, as well as vegetarian protein and lots of other things too—and the huge nets they have to erect to stop the resulting icebergs.
“Did I sing it right?”
“A bit low. Sit down, you might as well, you’re not an embryo. Correction, yes you are, you’re a cheap feline embryo.”
“A giant embryo, at least…”
Another boy, Futt, puts in: “And you’ve got thousands of spots!”
“It’s a jolly nice oast-house your parents have got, Futt,” tactfully interposes a well-brought up boy who’s a server in chapel. “Really smart. If you get the church on your side, you don’t need to show off at the races! Pretend to be a South American bird, you’ll find pumas regularly give them milk—or is it takes it away? – ” (Fen-Cato’s going off the rails rather here) “ – you can get all the nourishment you need from the soya fountain in Nic’s health-food store – ”
“Yeah, yeah. That’s the way it is, so that’s the way it’s gotta be, enemy of the Roman people.”
“Was it really too low?”—this to the ‘Roman enemy’, who’s a great supporter of the United States and all that entails—“Like some German fruit juice?”
“The Germans invented the idea of putting in sharps at cadences.”
“I d-don’t like that ’abit,” stammers a junior. The stammer is pathetic, and he drops his aitches, so we sit on his face.
* * *
[A stream of consciousness from a sometime Prince of Denmark]
I regularly used to give my Balliol cleaner a hiding, I hold a party just to raise a glass to the holding of parties, I quote from the Rubaiyat, Zhuangzi. I don’t like camping, there’s not enough protection. I’m a good runner, and I don’t like stopping, and none of this sportsmanship like you get from Seb, so holy and with his Tintin haircut, but I can tell you his Dutch cat often clears off at night! I’m against currency fluctuations in the ERM—what, Frenchman? You make fun of me? And you, smarmy Latin brute?? A King of Denmark can mock his enemy’s nervous twitches, he can withdraw money from Seb’s divisive volcano altitude training.
French bookshops are headstrong, they run betting shops in them—not even a mystic gambling system can rekindle the primal child within us, or the hearth where Prometheus is born, and anyway modern artificial fibres are such a fire hazard…
I once had a lovely yielding… Yes, me… I can still taste it… yummee… Just right, yielding and resisting at the same time, the perfect [crême brulée].
Count East is speaking, Government transport minister:
“Take on French railways? Off your head, are you? They’re a canny bunch, French railways. They’re M. Hulot and/or Helmut Kohl in one (yep, that’s what they are). A word of warning: try ‘loud’ first, you’ll find you won’t be able even to semi-breathe down there! Why don’t you go back to dyeing Persian desert robes, that was harmless, at least.”
This is too much for me. In an instant I irredeemably offend his noble lordship by using the familiar form of address, he becomes apoplectic and bang, there’s a nice mess, sometimes I don’t know where my blows are landing.
“Get back, you fools! Pint-size here” (I wince at this description) “has knocked the old twit” (where’s the ‘w’ from? a childhood memory?) “out. Make him up a bed of veal marrow, clad him in a cardinal’s robes,”—I recognise the voice of Ct. (yes, another Count) T. Party, the one they say suffers a paroxysm as like as not at any suggestion of sex—“plump his mattress with kapok and let ’m sleep in seventh heaven…”
* * *
“Fall on your futon, Nutt. Or have you done your Latin prep?”
“I have. ‘Given this sweet Carthage entanglement…’ ”
I enjoy these Latin exercises. “Go on…”
“… I’m engaged to be married.”
“WHAT? You?? Engaged—to the daughter of the best wine-maker in Provence? Who does such fantastic ice-skating? Where’s the party?”
“The Tate Gallery Restaurant. Rotten luck, eh?”
Which begs the question, was Tosca setting him up? (Did she, in fact, bounce back?)
For if so, it is
Lisbon – Paris – Ferrara, 1992 (– Parma, 1994) / Outurela, Portugal, May 2020