Further to my remarks on Ravel (under WAM), the dreamlike last movement of Ravel’s Shéhérazade, “L’indifférent”, is clearly about an androgynous boy, as Roger Nichols (Ravel, pp.54–7) recognizes in a cogent discussion—though he gets a tad bogged down in discussing the gender of the singer/voyeur, as if it matters. But some translators couldn’t even countenance the androgynous boy, making it necessary to vandalize, coyly,
Tes yeux sont doux comme ceux d’une fille
Your eyes are soft like those of any girl.
I mean, you wouldn’t say, “Your skin is wrinkly like that of an elephant” if you were talking to an elephant, now would you eh? I rest my case.
Simile can be silly (“What Am I Like? LOL“)
Shall I compare thee to a summer’s day? No, don’t.