The benefits of the orchestral touring life: Noh theatre in Japan, 1992,
not long after fieldwork in Shanxi.

Three monographs on ethnic religion and culture that I haven’t yet seen—or even written:

• On campaigns against popular shamans:

Striking a happy medium.

• On the stagecraft of Japanese drama (Altogether now):

There’s no business like Noh business.

(For a rather more serious treatment, see here.)

And having added an acronym for British Art Music to the one for Western Art Music, how about the “classical” traditions of the Maghreb?

• On the well-attested debt of the Western classical tradition (notably British music) to the nuba suites of North Africa, with reference to antiquated sexist ideology perpetuated therein:

WAM, BAM, thankyou MAM.