The labyrinthine crime novels of Michael Connelly are brilliant—set in L.A., packed with gritty procedural, historical, and psychological detail, with their protagonist Harry (short, indeed, for Hieronymus) Bosch.
A tangential delight permeating the series is Bosch’s fine taste in jazz. Continuing my trumpet theme, it was through Nine Dragons (a murky Triad case) that I learned of Tomasz Stańko, “the Polish Miles Davis”.
To remind us of the jazz scene under state socialism (see e.g. Pickham and Ritter, Jazz behind the Iron curtain), here are versions of First song from 1976:
And even a recording from 1970:
WOW… His ballads are great too:
For more Stańko in a post on Polish jazz, see here.