With its biographical vignettes, the series is always a good way to explore pieces that may have escaped us. I tend to immerse myself in the works for orchestra, piano, and organ, but how wonderful is his vocal writing—like Harawi, Cinq rechants, or indeed the ravishing Poèmes pour Mi (a fine complement to Berlioz’s Nuits d’été and Ravel’s Shéhérazade). Good to hear Messiaen’s last work too, Concert à quatre.
His Catholic faith was, um, catholic—he made a natural mentor for the budding world music movement. Apart from his beloved birdsong, both his music and teaching were permeated with genres like raga, gamelan, and gagaku. If only I could have introduced him to the Li family Daoist band in Paris!