All in a chord is a stimulating series of short programmes on BBC Radio 3:
including the horrifying Scream from Mahler’s 10th symphony (above); The Rite of Spring; and an exploration of the minimalist style through Terry Riley’s In C. Making connections between them, Ivan Hewitt and his discussants provide fine social context, to boot—”harmony as a reflection of history”.
Meanwhile, most of the world’s societies have always got along perfectly well without harmony. “But that’s not important right now“.
I’ve always understood harmonic language more by instinct and experience than by theory. I trust plenty of other orchestral musos are more erudite about chords and harmony, but it is jazzers who are most deeply imbued in the language—and not just the keyboard players.