Last week, through the auspices of the dynamic Professor Cao Xinyu of People’s University, the Department of Religious Studies at Peking University managed to invite a ritual group from north Shanxi to perform for a symposium.

Cao Xinyu explains the sect’s background.
Moreover, this is no orthodox troupe of temple monks, but a pious amateur sectarian group of ordinary villagers. They belong to the extensive network of the Mingzong sect, whose history and texts Cao Xinyu has ably documented. With a membership of both men and women, they perform a cappella vocal liturgy as part of long complex ritual sequences for their local devotees—notably the sect’s distinctive “precious scrolls” (baojuan 寶卷), with their complex performing structures (see e.g. here, and here, under “The scrolls in performance”).
The sect maintained activity even after Liberation, and with their virtuous reputation they have long been tolerated by the local authorities. Alas, their venerable leader Wang Ji (1950–2017), who steered the group through the reform era, didn’t live to take part in this trip; but Cao Xinyu has now been able to realize Wang’s wish for the group to visit Beijing, with his disciples including his widow and sister.

Wang Ji (right) explains the structure of a “precious scroll” to Shanxi scholar Jing Weigang, My photo, Yanggao 2003.
All over China, devotional sects are a major aspect of folk religious life (cf. this recent film on a Hakka sect). While their vicissitudes since 1949 remain a sensitive topic, such groups offer important material to document local histories and regional transmissions since the Ming dynasty—for historians, ethnographers, and scholars of “music”.
It’s also good to see the culture of this unassuming corner of north Shanxi recognized further, following visits of the Li family Daoists to Beijing in 1990 and 2013 (see my Daoist priests of the Li family, pp.175, 340–41) and their foreign tours—as well as those of the Hua family shawm band.
Of course, the event wasn’t a religious ritual but a low-profile symposium, in a literary historical context. While it’s no substitute for attending their observances in local context, it’s impressive not only that ritual life continues but that scholars of folk religion, alongside all their fine academic studies, can still “get things done” and bring life to silent immobile textual research.
功德無量!

Between ritual segments, 2003. My photo.
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