While Private passions is generally more satisfying (see e.g. the contributions of Philippe Sands, Tanita Tikaram, and Vesna Goldsworthy), episodes from Desert island discs led me to two remarkable vocalists. [Note: author’s source for popular culture appears to derive almost entirely from the demure echelons of the BBC—Ed.]
WOW. As the wiki article comments:
With his songs—in effect, miniature theatrical dramatizations (usually with a protagonist and full of dialogues), Vysotsky instantly achieved such level of credibility that real life former prisoners, war veterans, boxers, footballers refused to believe that the author himself had never served his time in prisons and labor camps, or fought in the War, or been a boxing/football professional.
How could the Soviet system encompass such alternative performance culture, when nothing remotely so challenging emerged in China until after the demise of Maoism? This playlist contains many searing songs from him. Just as Nina Hagen makes me want to work on my German, Visotsky makes me want to learn Russian.
Meanwhile I’m grateful to the brilliant Elif Shafak for introducing me to the Canadian singer Alissa White-Gluz with the Swedish “melodic death metal” band (another instance of the subtle taxonomy of popular music!) Arch enemy:
More material here for Voices of the world…