Some living American women artists/Last Supper.
Typical! All this time I’ve enjoyed (male) spoofs of The (male) Last Supper, but I’ve only just cottoned on to the 1972 version by Mary Beth Edelson, who died last week (obituary here).
The collage affords
the double pleasure of presenting the names and faces of many women artists, who were seldom seen in 1972… while spoofing the male exclusivity of the patriarchy.
And as she observed,
Humour is a mode of speech that is indirect and ambiguous and, therefore, can have multiple interpretations. It can potentially disrupt dominant meanings and the social order while protecting the joker from consequences that might occur if the same message were delivered in a serious mode. Humour sabotages critics, for unlike spoken language, laughter does not belong to a linguistic code and, therefore, has the possibility of creatively breaking that mold while taking advantage of humour’s natural attraction.
In similar vein is Death of the patriarchy/ A.I.R. anatomy lesson (1976):
Also from 1976 was Words and women. Kate Millett’s Sexual politics and Germaine Greer’s The female eunuch were both published in 1970, and Janet Radcliffe Richards’ The sceptical feminist in 1980…