Photo: Isabela Rodrigues.
If I leave my own town, will anyone visit me?
If I wander in the town of orphans, will anyone visit me?
I have drunk the nectar of love, overflowed like a boiling pot
If I abandon this world, will anyone visit me?
— from Nawa muqam
Having relished live music from Afghanistan, Georgia, Iran, and Anatolia at the Wigmore Hall for the launch of Musics lost and found, it was good to catch up with Uyghur musicking in London last Saturday for a concert at St Bartholomew the Great in Smithfield—the oldest parish church in London, well worth a visit on its own.
The concert, in aid of the Tarim Network for the global Uyghur youth community, featured Rahima Mahmut and the Silk Road Collective of Uyghur Music and Culture, together with Uzbek musicians led by the master percussionist Abbos Kosimov on doira frame drums—illustrating a shared culture. The livestream (mirrored!) is on Facebook.
Spoken introductions were provided by singer Rahima Mahmut of the World Uyghur Congress, and Rachel Harris of SOAS (dutar), whose meticulous research covers the range of Uyghur culture and its current eradication (see here, and here).
Abbos Kosimov (website; You Tube channel) is enthralling. No mere virtuoso, he’s a sensitive ensemble player, relishing his rapport with the fine rubab/dutar player Sardor Mirzakhojaev. After a charming number on qairoq castanets, in the second half he launched into an astounding party-piece, culminating in polyrhythms on three frame-drums at once.
It was the most inspiring drumming I’ve heard since Asaf Sirkis accompanying Krzysztof Urbanski for Polish jazz at POSK… And I’m in the mood for frame-drums since my recent trip to Istanbul, having found some Uzbek/Kirghiz ones at Mustafa Bey’s instrument shop in Kanlica as gifts for friends’ children.
Uyghur music was represented by excerpts from the muqam, and regional folk songs; Dostonbek Mirzakarimov played an undulating solo on Uzbek ney flute. The second half opened with a lively Uzbek dance from Rashid Shadat, and ended with Uyghurs and others from the audience dancing gracefully in the aisle.
Until a few years ago, activities like those of the London Uyghur Ensemble were inspired by a vibrant muqam scene in Xinjiang, nourished by exchanges with outstanding musicians there such as Abdulla Mäjnun and Sanubar Tursun. Now that Uyghur culture in the homeland has been brutally repressed and all contact cut off, the activities of diaspora groups take on a greater significance.
Do also watch the recent online concert “Longing for home: Uyghur muqam in exile”, with Shohrat Turson (Australia), the Meshrep Uyghur Ensemble (Netherlands), and the SOAS Silk Road Collective—beautifully introduced by Mukaddas Mijit.
Useful sites include Stop Uyghur Genocide, the European Uyghur Institute, and the Uyghur Human Rights Project; the YouTube channel of the London Uyghur Ensemble, and The music of Central Asia. Click here for a roundup of my series on Uyghur culture.