Only more serious scholars of the Python oeuvre may be aware of the LP Another Monty Python Record (1971), cunningly packaged as “Beethoven Symphony No.2 In D Major”.
The album contains some of the great classics (Spanish Inquisition, Spam, and so on)—”But That’s Not Important Right Now“. Here I’d like to highlight its “serious” liner notes on the back, which eventually degenerate into a commentary on Beethoven’s Wimbledon debut.
After a lengthy and erudite account of the composer and the symphony, little comments begin to slip in inconspicuously:
The important part of the first subject is Beethoven’s almost disdainful use of the high lob, forcing Hewitt to play right up to the net.
[…]
In all the Allegro is a compact and closely argued musical proposition, which would have been impossible on a hard court.
[…]
The second tune, which Beethoven said on his arrest was “just a harmless bit of fun”…
[…]
Beethoven now goes on to Forest Hills for the American hard court championships, and if this boy can repeat the devastating lobbying and volleying which he has shown on grass, but at the same time control his tendency to swing away on his second service and backhand returns, he could earn his position as No.2 seed behind the burly Roger Chopin of Puerto Rico.
For Beethoven’s creative tribulations, click here; for his dogged refusal to write a tune, here; and for a justly neglected composer, here.
Pingback: Ritual: the FA Cup, and a Sage | Stephen Jones: a blog
Pingback: A great annual ritual: Wimbledon | Stephen Jones: a blog
Pingback: Wimbledon: sequel | Stephen Jones: a blog
Pingback: Wacky indexing, continued | Stephen Jones: a blog
Pingback: More Chinese wordplay, and a poem | Stephen Jones: a blog
Pingback: Barbara Hannigan | Stephen Jones: a blog
Pingback: Late Beethoven quartets | Stephen Jones: a blog
Pingback: A sporting medley: ritual and gender | Stephen Jones: a blog