Saint Bill: Black books

Coffee and books is a fad.

YAY!!! As further evidence that there’s hope yet for civilisation, I’m delighted that Bill Bailey, guided by the ever-wise Oti Mabuse, has just been canonised by winning Strictly (see this fantasy). So to supplement all the adulation:

His musical standup is brilliant (e.g. here; and Love song: The duck lies shredded in a pancake, Soaking in the hoisin of your lies…). Here’s another one, ranging from panto and military calls to the Alberti bass (“making the music go further—like cutting your blancmange with Angel Delight”), culminating in the East European version of the Match of the Day theme (“The tractor would not start”):

Nor should we forget Black books—episodes from Saint Bill’s earlier life (Channel 4, three series 2000–2004).

Black books

All three protagonists—Bernard (Dylan Moran, also co-author with Graham Linehan), Manny (Bill Bailey), and Fran (Tamsin Greig)—are delightful, making complementary role-models. Despite Bernard’s persona as a “vile, rude, arrogant, elitist, filthy, chain-smoking alcoholic”, and, um, all the senseless cruelty and violence, the series has the charming mood of a kinder bygone age.

The first episode of Season 2 has more on learning the piano. If you already know that Bill is an accomplished musician (as one does nowadays), then you just have to suspend disbelief. This is a nice reversal of a persistent dramatic cliché:

I always wanted to learn, but my parents forced me not to. I spent hour after hour playing football, all by myself, peering in at all the other children in the neighbourhood practising their piano.

In a Baileyesque kinda way, all this might lead us to John Cage‘s Sonatas and interludes, the Persian santur, and Studying the cello.

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