Period style

Talking of authentic recordings, here’s the classic 1932 version of Pique-nique by Edouard Ibert (“Call me Ted”) (cf. Authorship):

With the wonderful plummy voice, and great original, period instrumentation—menacing brass and xylophone, and zany woodblocks, like Cantonese jazz, I may be drawn to it by its heavy use of the pentatonic scale, but to anyone the final chorus is a definitive proclamation of those sober values that made the British Empire great, after the sinister bacchanalian debauchery of the sylvan outing…

Cf. the reflections of Alan Bennett.

8 thoughts on “Period style

  1. Pingback: Authorship | Stephen Jones: a blog

  2. Pingback: More Ted Ibert | Stephen Jones: a blog

  3. Pingback: Jeux d’esprit | Stephen Jones: a blog

  4. Pingback: Another everyday story of country folk | Stephen Jones: a blog

  5. Pingback: At issue | Stephen Jones: a blog

  6. Pingback: Appeasement | Stephen Jones: a blog

  7. Pingback: Reception history | Stephen Jones: a blog

  8. Pingback: Hancock’s half hour | Stephen Jones: a blog

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s