I guess we should be grateful—nothing focuses the mind like having a vindictive sulky misogynistic illiterate baby as Philistine-in-chief in the White House. Some of his advisers were concerned that withdrawing from the climate agreement “might damage his credibility”. Where have they been?
Sure, we have worse things to worry about than his highly peccable aesthetic sensibilities, but they evidently developed early. In “his” 1987 book The Art of the Deal, Trump wrote:
In the second grade I actually gave a teacher a black eye—I punched my music teacher because I didn’t think he knew anything about music and I almost got expelled.
I’d love to know more about this music teacher—just how little is it possible to know about music? Can it be that the young boy’s ire was caused by the inexplicable absence from the syllabus of the late Beethoven string quartets, which as we all know would later form his core listening?
But unseriously though folks, this is a fine spoof. I particularly love
Such is Trumpolini’s classical erudition that he should appreciate this fugue by “W.T.F. Bach” (lesser-known brother of P.D.Q.)—a must for your local choir:
Like Dudley Moore’s psalm, what makes this so brilliant is the incongruity between the juxtaposition of text and the solemn musical pastiche of baroque grandeur.
And if you think translating medieval Daoist texts is difficult, spare a thought for interpreters, trying to make sense of Tweety’s mangling of the English language. At least culona inchiavabile can be transformed into something even more evocative.
Back in Blighty, I see Bumbling Boris (aka Boris Piccaninny Watermelon Letterbox Cake Disaster Weightloss Haircut Bullshit Wall-Spaffer Johnson) has escaped again, leaping back into the fray by welcoming a kindred spirit to Britain with more blithe inanities—but he’s got The Latin, so that’s all right then. Imagine Conservative Central Office:
“How did he get out? I thought we packed him off to Bongo-Bongo Land!” (for which, see the excellent Afua Hirsch, and wiki).
11 thoughts on “Peccable musical sensibilities”
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