Un homme et une femme

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My posts on film, and the importance of soundtracks (such as Brief encounterCinema paradiso, The conformist, TampopoTwin peaksWild at heart, and now Performance), offer me a pretext to praise Un homme et un femme (Claude Lelouch, 1966)—a very different classic on the eve of more radical French experiments.

However did they film the captivating restaurant scene near the opening? I’m mortified that I can’t find it on YouTube—but it’s OK, you can just watch the film! As Jean-Luis Trintignant and Anouk Aimée, both widowed, explore their bond through their respective kids, the camera delights in their blossoming relationship, lingering adoringly on her complex, enchanted, enchanting expressions. This is one of several scenes that suggests the improvisation that Lelouch encouraged.

As ever, the soundtrack, by Francis Lai (who died on 7th November), evokes the ambience perfectly (cf. Michel Legrand). Like the Pearl and Dean tune, the theme makes good practice for additive metres.

4 thoughts on “Un homme et une femme

  1. Pingback: The windmills of your mind | Stephen Jones: a blog

  2. Pingback: The conformist | Stephen Jones: a blog

  3. Pingback: Performance: from Iran to Morocco | Stephen Jones: a blog

  4. Pingback: Taco taco taco burrito | Stephen Jones: a blog

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